داستان کوتاه Proof of the Pudding صفحه 6
تعداد بازديد : 166
'My dear Shack,' said he, 'if I know anything of life I know that every sudden, deep and tragic emotion in the human heart calls forth an apposite, concordant, conformable, and proportionate expression of feeling? How much of this inevitable accord between expression and feeling should be attributed to nature, and how much to the influence of art, it would be difficult to say. The sublimely terrible roar of the lioness that has been deprived of her cubs is dramatically as far above her customary whine and purr as the kingly and transcendent utterances of Lear are above the level of his senile vapourings. But it is also true that all men and women have what may be called a subconscious dramatic sense that is awakened by a sufficiently deep and powerful emotion - a sense unconsciously acquired from literature and the stage that prompts them to express those emotions in language befitting their importance and histrionic value.'
'And in the name of seven sacred saddle-blankets of Sagittarius, where did the stage and literature get the stunt?' asked Dawe. 'From life,' answered the editor triumphantly. The story-writer rose from the bench and gesticulated eloquently but dumbly. He was beggared for words with which to formulate adequately his dissent. On a bench near by a frowsy loafer opened his red eyes and perceived that his moral support was due to a down-trodden brother.
'Punch him one, Jack,' he called hoarsely to Dawe. 'Wat's he come makin' a noise like a penny arcade for amongst gen'lemen that comes in the Square to set and think?' Editor Westbrook looked at his watch with an affected show of leisure. 'Tell me,' asked Dawe, with truculent anxiety, 'what especial faults in "The Alarum of the Soul" caused you to throw it down.' 'When Gabriel Murray,' said Westbrook, 'goes to his telephone and is told that his fiancée has been shot by a burglar, he says - I do not recall the exact words, but- '
'I do,' said Dawe. 'He says: "Damn Central; she always cuts me off." (And then to his friend): "Say, Tommy, does a thirty-two bullet make a big hole? It's kind of hard luck, ain't it? Could you get me a drink from the sideboard, Tommy? No; straight; nothing on the side." '
'And again,' continued the editor, without pausing for argument, 'when Berenice opens the letter from her husband informing her that he has fled with the manicure girl, her words are - let me see- ' 'She says,' interposed the author: ' "Well, what do you think of that!" '